Let’s correctly remember the form.
Posted by 9b | Filed under Piano (2)
Wanting to bear one in mind when the preparation is firmly straightened and the practice of the piano is started is “Form. ”
In a word, it is posture when the piano is played.
Posture is not what can be quite corrected though the lecturer will firmly teach this.
I will acquire the good posture from the stage as usually as possible.
The form’s that plays the piano extending the line of the backbone becomes a principle.
It becomes impossible for view to narrow naturally, and to move the arm and the finger of above all well if it plays it by the stoop.
Put the back firmly so that the height of the keyboard and the position of [hiji] may become equal height.
A point important by one includes the height of the chair in this.
The adjustment of the height of [hiji] becomes difficult if the height of the chair is not suitable when the piano is played.
It is necessary to raise, and it comes to have to lower unnaturally ..this.. as [hiji] is unnatural when it is high if the chair is low.
Then, power enters uselessly, and becomes it the movement of a smooth arm.
Telling to the lecturer if the sense of incompatibility is felt for the height of the chair might be good.
Power is pulled out and the hand is put on the keyboard.
The important one is escape power [surukotodesu] in moderation.
Strength is not put well when playing it with power entered.
However, it is escape power [surunoha], and the very difficult one while strained.
Even the beginner and the expert can say the same thing to this.
In such a meaning, it can be said an eternal problem for the pianist.
Let’s get off the fast track as much as possible, and to be opposite to the keyboard by the natural style, bear it in mind though it is difficult.
Tags: and practice, chair, form, keyboard, Piano
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